IAN
JONES
“It gave me a concept
of history and that was magic. It gave me my first insight into what makes human
beings tick-into cause and effect. If you make an effort to understand one human
being you understand more about all human beings.”
The above quote is
from Ian Jones when asked what fascinated him about Ned Kelly. It appears in a
battered, dog-eared copy of “The Last Outlaw” magazine (1980) which I have
held close to my heart for many years. Before Ian’s excellent Kelly
publications of 1992 and 1995,this was my only record of the man's thoughts and
works. For those who know something about Ian, they will realize his ultimate
goal in days gone by was to produce the definitive Ned Kelly on screen. Well, he
certainly did that. I think Ian Jones and Bronwyn Binns interpretation and
realization of our Ned will remain the yardstick.
The
road to this 4 part mini-series was a long one. Mr. Jones started out as a
journalist with the “Melbourne Sun”. He became a director @ Channel 7 in the
early years of television then joined Crawford productions where he had a major
hand in developing such now historical shows as Division 4 and Matlock Police.
He was also the man behind a well known little drama series called “The
Sullivans.” Throughout, his interest in the Kellys was a constant.
Ian
was a script writer on the 1970 film “Ned Kelly” starring Mick Jagger and
directed by Tony Richardson. Although the movie is often not looked on
favourably by Kelly fans, it is certainly a part of Australian cinema history
and “relics” from the film can be seen @ Ned: The Exhibition @ The Old
Melbourne Gaol.
Following
his departure from Crawfords, Ian formed his own company along with his wife
Bronwyn Binns. Through the Seven network, they presented to audiences “Against
the Wind.” It was a 13 part series dealing in the convict years and included
Jon English in the cast.
“A
great slab of Australian history told through a few people.”
In
a sense, it seemed only to be a dress rehearsal for “The Last Outlaw”. Ian
and Bronwyn decided the centenary year of 1980 was certainly the year to produce
the story of Ned on film. But this was no mean feat. The logistics (and cost)
were enormous. Obviously, they prevailed despite a tight schedule and some
behavioural problems from some cast members. The 4 part series was mostly filmed
in Seymour, north of Melbourne, on private property known as “The Magic
Valley.” It certainly was magic because from bare paddocks, the story of the
Kellys, the Police and their circle came alive again in all its rich, textured
detail.
“You
don’t see the production trucks lost in the darkness. You are in Benalla on a
chill night in March 1879, when the world was slower, harsher, pleasanter. And
when the Kellys were abroad…”
The
series has recently been repeated on Channel 7 and in my opinion has aged like a
fine wine. Rich in character and flavour.
Ians
work on Joe Byrne and Aaron Sherritt and the Beechworth connection has never
been bettered and has inspired me to climb all over the Woolshed Valley over the
years to get a feel for Joe, Aaron and co. His book, about to be re-issued is
called “The Fatal Friendship” and is highly anticipated. The insight into
Ned, Joe and Aaron Sherritt is incredible.
Whilst
Ian is certainly a name to be reckoned with in Kelly circles, his interests also
occupy other realms. He has done a lot of work on the Australian Lighthorse and
has produced books on the subject. At much the same time as he got to know Ned
(via an old gardner named Tom Maine), he also got to know Jesus which resulted
in further publication.
Ian
Jones is a notoriously good bloke and I have had the pleasure of speaking once @
length when he phoned me @ home one cold night to answer some questions on the
Kellys I put to him via Australia post. In terms of the mans kindness and
generosity, this speaks for itself.
I
met him in person in 1998 @ the “Men of Iron” exhibition at “The Old
Melbourne Gaol at a lecture he gave. As it was a milestone, I had with me my 2
Jones/Kelly books “The Friendship that Destroyed Ned Kelly” (in my opinion,
the best Kelly work yet produced)and “Ned Kelly-A Short Life.” Once again,
he gave of his time willingly.
And
now, Ian Jones is an integral part of the excellent Ned: The Exhibtion at the
Gaol sharing his vast knowledge and archive with us all so we can better
understand this great piece of our history.
I
treasure his autograph.
MARK
EXTRA:
Whilst the Iron Outlaw
site has recently published an excellent in depth interview with Ian Jones, I
had the pleasure recently of re-confirming several points for myself when he
rang me @ home regarding the above essay. Despite a very busy schedule in this
year of Ned, he is, once again, generous with his time to anyone genuinely
interested in the Kelly story.
I
was curious about is attitude toward Joe Byrne and Aaron Sherritt. When reading
“The Fatal Friendship”, the reader can feel Ians affection for Aaron
especially but his animosity toward Joe surprised me. Ian says again that Joe
neglected his Mother for other activities and showed unwarranted violence on
occasions. Ned was the one to bring out the best qualities in Joe- not Aaron.
We
discussed Ians love of Bullock Creek- the site of the Kellys stronghold prior to
the Stringybark creek encounter. Ian is no stranger to the locality near Tolmie,
having ridden horses and camped in area frequently. Although the vibes are
strong @ the (correct) site of the gun battle, Bullock Creek is where Ned
dreamed, planned for the future, had aspirations and had good times and
therefore, as Ian says, he feels Ned here more than any other place. This is
where Ian, with his 2 sons, discovered the remains of Neds cast iron pot from
the whisky still. He literally tripped over it after it was unearthed by feral
pigs. Although regarded as a damaging pest, these animals did Ian an enormous
favour that day. He claims he sees them now with a certain fondness!
We
also discussed the replica of the Glenrowan Railway station that has recently
come into being. Apparently, it is several metres from the exact location,
painted the wrong colour and slightly incorrect in structure. Ian concedes
however, it is an excellent, much required piece of work. Any reconstruction of
Anne Jones Inn should be limited to chimneys only-as they appeared after
building was raized by police. He predicts bright things for Glenrowans future
and will be glad to see the “slide” stop. He is amazed and dismayed to this
day the overpass is where it is- in the heart of battleground.
Being
a fan of the1980 mini-series, “The Last Outlaw”, Ian kindly took me briefly
behind the scenes. It appears it was a miracle series was finished @ all
considering some cast behaviour. Apparently, actors equity warned there could be
trouble if a certain pair of actors shared quarters together. They did and there
was. Interestingly, most of the problems seemed to come from actors portraying
gang members or sympathisers. Read into that what you will. Apparently, “the
magic valley”, pastoral ground near Seymour where most of the series was
filmed, is still pristine and untouched. One of Ians favourite portrayals in the
series was by Paul Clarkson, an amateur actor only, who brought alive Captain
Standish. Tim Elliot also captured Sergeant Steele superbly as did many actors
portraying the police.
Our
last point of discussion concerned the feeling toward Aaron Sherritt in
Beechworth. Ian says time has healed wounds and despite the fact relatives
remain on the outskirts of town, there is no real feeling of animosity. Ian
seems to feel Aaron is no longer looked on as a betrayer of the gang. He says
logic has won out in the end. Only someone who looks into story in a cursory
fashion could consider Aaron as a true traitor. Ian is of the opinion that new
“Sherritt photo” discovery portrays Jack Sherritt and not Aaron. New edition
of Ians book,”The Fatal Friendship”, is due soon. Apparently, he didn’t
care for original title (The Friendship that destroyed Ned Kelly.)
Ian Jones is currently
working on another “Ned” book, this time looking @ the Siege of Glenrowan
through the eyes of Thomas Carrington, newspaper artist of the day. The shelf is
sagging but it will be a worthwhile addition.
 


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